6 – 8 February 2013

Decoration + Design

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Let there be light…



via Decoration + Design Pinterest

Even with the advancements in lighting technology, when it comes down to it, there really is no substitute for natural light. Yes there are some beautiful spaces that have effectively achieved the feeling of natural via well positioned lights, however there is nothing more satisfying then lying in your lounge room with the sun pouring through, evoking a warm, euphoric feeling that cannot be replicated.

In fact, many interiors suffer due to their shortage of natural light which is primarily due to the positioning of the building. So lucky for those who are in the planning stages of their dream home, or in the middle of renovations and extensions, you have the benefit of considering this beforehand.

According to Home Improvement Pages, though artificial light is an adequate substitute it does come at a cost and does not have the same quality and warmth as natural light.

“Natural light is not only more aesthetically pleasing it can also make your rooms seem that much bigger, as well as keeping you more positive and productive. Skylights, or variations on this theme, are the logical method of introducing natural light into your interior rooms.”

Here are a few examples of natural light working to its optimum from our Decoration + Design Pinterest board.


















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Creating texture in a room


Images via D+D Pinterest

The key to creating a home environment that’s both interesting and stimulating, is texture! This of course relates to the surface quality of an object, giving a look or feel that’s three-dimensional in character.

Texture changes the way a room looks and feels. A rough brick wall with cracking paint, exposed beams jutting from the ceiling, or brushed metal lamps in the corner of a room can evoke emotion, you respond to its tactile quality without even touching it. Just like how your mouth starts to anticipate the sour of a lemon before you’ve even tasted it. Your body reacts. This is why texture plays such an important role in interior design. It’s this challenge of creating an emotive space to enhance the experience of design, that motivates most interior designers and stylists.

But there’s a fine line between a harmonious texture and one that is loud or OTT. So how do you achieve the perfect balance? We collected a few images on our travels that showcase texture in action.

A textured wall






Exposed brick or rough concrete wall






Wallpaper that gives the effect of texture



Exposed wooden beams or wooden wall






And this one has it all!

Textured rug – check
Exposed beams – check
Exposed brick – check

For more about texture and pattern in interiors, visit Cristina Colli’s blog post “Design Basics Series: Texture & Pattern” HERE.

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Interior spotlight: Art Deco


Art Deco style is a decorative take on modernist style from the early twentieth century. Interior architectural elements include smooth walls with rounded corners, parquet wood floors, glass block windows, and porthole windows.

Furniture is modern, often with mirrored facades, and is heavily lacquered or with inlaid geometric designs. Common materials also include veneer, stainless steel, or chrome. As with modernist style, spaces are uncluttered with minimal furniture or display.

Do you like art deco interiors? What’s your personal design style?

Comment below!

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An eye for detail & craftsmanship


Established in 1999 by Shelley Boyd, Boyd Blue is renowned as a superior design hub supplying unique furniture, homewares, fabrics, wallpapers, rugs, artwork, soft furnishings and lighting to the interior design, architecture and property development industries.

Their passionate team are passionate sniff out quality interior and exterior design products that fulfill the modern day interior needs. Their trained eye for detail and expert craftsmanship, combined with a focus on distinct collections for both domestic and commercial application has become the Boyd Blue signature.

Their team source ranges from all over the world, selecting from the best of contemporary international and local design. They have suppliers in Australia, Italy, Indonesia, Thailand, France, India and Portugal, and are proudly continuing their efforts in finding the best quality products that provide inspired ranges.

To discover more of the Boyd Blue aesthetic, visit their website; boydblue.com and seek them out at Decoration + Design Sydney from 6-8 February, 2013 at the Sydney Exhibition Centre.

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At One With Nature…





The TRVM Lighting range mixes traditional forms with a pared down contemporary feeling. Timber is the primary material – in raw finishes that evoke a warm casual ambience.

This distinctive range of pendant lights, large feature chandeliers, and floor and table lamps are mainly handcrafted – using traditional wood working techniques such as the bentwood method, timber turning and hand carving.

TRVM are also acutely aware of their impact on the environment. Their product range is constructed using timber sourced from managed tree plantations. The timbers are FSC (Forest Stewardship Certified) or plantation species from various sources.

New designs are arriving next month. To view them, and the entire range, visit their website, trvm.com.au

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Burger colour in wallpaper



A wallpaper you can colour in using marker pens, felt tips or paint? Genius right? Well if you have children (and even if you don’t) this is by far the best wallpaper design we’ve seen that actually encourages you to draw on the wall. Because let’s be honest, at some point in your life, whether it’s in your childhood or as a big kidult, you are going to do this anyway, so why not make it look good too?

This fabulous colour in wallpaper collection features the work of UK illustrator Jon Burgeman, and is now available at Emily Ziz.



Emily ziz style studio had such a great response to the first design, they couldn’t resist this one! And we can’t either…

Visit them at emilyziz.com

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From Persia to Casablanca…






We love how Armadillo & Co photograph their rug collections strewn so casually against a branch or fence with nature as its backdrop, as though the rug was always meant to be there.

And it quite possibly could be, given the emphasis on `natural’ with a variation of undyed natural fibres used in the handmade weaving process such as hemp, jute and pure wool. All their rugs are hand woven on looms with manual gears and no mechanical assistance is used during their manufacturing process.

Learn more about their process and natural philosophy at armadillo-co.com

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Design Futures Colour Visions at Decoration + Design 2012









These vivid images from Genty Marshall’s fourth installment of Design Futures, `Colour Visions’ at Decoration + Design just arrived and we had to share.

The popular feature area was a highlight of the Melbourne trade event as was Genty’s aural presentation for the International Industry Seminar Series in which she delved into the process and science behind why colour is such a powerful tool for the interior stylist, furniture and furnishings designer. WATCH our video chat with Genty HERE.

To see more images from the recent trade event, head to our Facebook pages for Furnitex and Decoration + Design.

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VIVID 2012 – Celebrating 10 Years of Vibrant Visions in Design…

Australia’s hottest young and emerging design talent converged from across the country to celebrate 10 years of VIVID – Vibrant Visions in Design at this year’s Furnitex and co-located Decoration + Design.

Over a 100 of the best products in categories, student, concept and commercial along with a fourth award for the most sustainable product, were showcased at the recent trade event ensuring it was the biggest and most exciting drawcard of the fair, pulsing with creative energy and talent.

There was a definite ‘lightness of being’ theme among the VIVID finalist designs this year. Clean lines, airiness, a touch of playfulness, refined execution, all very fitting for celebrating 10 years.

A huge congratulations goes out to all the winners. Overall we had 53 designers with 62 products vying for the awards with a prestigious international judging panel that included;

• London Design Festival curator, furniture designer and author, Ms Suzanne Trocme
• International trend forecaster and stylist, Ms Milou Ket
• Style director at Australian House & Garden, Ms Janet James
• Melbourne furniture designer and also previous VIVID participant, Mr Justin Hutchinson of Justin Hutchinson Design

So it is with great pleasure we highlight the VIVID 2012 winning line-up;

Winner VIVID Student Award – Tryst Stool designed by Tate Anson, RMIT



Designer Profile: Tate Anson recently graduated from RMIT Industrial Design, receiving the 2012 Graduate of the Year Award. Tate exhibited in April 2012 at the Milan International Furniture Fair, showcasing his stretched timber products with Melbourne Movement.
Product Description: This stool capitalises on the elegance and strength of timber to achieve a delicate yet durable product – marrying modern machining and traditional wood craft. European beech.
Inspiration: Material exploration.

This category was particularly difficult to judge with a high number of contenders with products ready at commercial standard.
Short-listed for the award were also: Ash Allen with Arc Chair, Bradley Prestipino with Kite Table, Callum Campbell with Holiday Table and Dusko Lapcevic with Iris Lighting Range

Winner VIVID Concept Award – Unfold Desk designed by David Hardwick, Hardwick + Cesko


Designer Profile: Having graduated with a design degree from UNSW David has worked in the furniture industry for over 12 years before launching out on his own in 2010. David believes the best design challenges people’s perceptions and is made to last a lifetime.
Product Description: A laptop/tablet workstation with concealed desktop which opens to expanded workspace with built-in speakers, cable management and storage. Bamboo board, aluminium + mild steel.
Inspiration: A percieved gap in the market place.

Short-listed for the award was also: Barry Magazinovic with Obelia Light

Winner VIVID Commercial Award – Popper Pendents Light designed by André Hnatojko, RMIT


Designer Profile: André Hnatojko is fascinated with the way things work and how they are made. Studying design at RMIT university and business/entrepreneurship, his aim is to find new explorations within the world of design, eager to experiment and create with the unknown.
Product Description: POPPER PENDENTS’ are made from a single ‘convertible’ mould – this increases efficiency, reduces waste and allows for savings to be passed onto customers. Made from recycled aluminium (up to 40%) this conscious design is coated in paint which wont effect the re-recyclig & is designed to hide the ugly transformers of florescent bulbs. Recyled aluminium, bio power coat & lighting components.
Inspiration: Like a party popper, this light explodes where you point it.

Short-listed for the award were also: Edward Linacre with Weave Pendants and Damien Hipwell with Woodstock Table

Winner VIVID Green Award – Sticks and Stone Stool designed by Ash Allen, RMIT


Designer Profile: Ash Allen is a mechanical engineer studying furniture design at RMIT. Inspired by natural forces, eye-catching similicity and sustainability are fundamentals in his design philosophy.
Product Description: A contemporary stool for indoor / outdoor use, designed for disassembly + flat packing. No glue is used in the joinery. Salvaged Tasmanian Oak dowel + recycled rubber tire crumb.
Inspiration: A stone skipping on water.

Short-listed for the award were also: Dale Hardiman with Klag Chair, Edward Linacre with Weave Pendants and Mart Hughes with Syntax Clock

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WATCH: Genty Marshall on Design Futures: Colour Visions at D+D…

Australian trend forecaster, Genty Marshall of New Black Global Designs shows us the future in full colour. In her 4th Design Futures installation, Colour Visions, Genty shows how designers are embracing science, technology and nature in a renewed fascination with colour and perception.

Colour Visions takes us deep into the spectrum and reveals not only what we will be seeing, but how we will be seeing it.

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